簡(jiǎn)介：當(dāng)有權(quán)有勢(shì)的音樂大亨（丹澤爾·華盛頓 飾）成為被勒索的對(duì)象，他被迫維護(hù)自己的家庭與豐功偉業(yè)，同時(shí)面對(duì)攸關(guān)生死的道德難題。                                                                    　　影片改編自黑澤明同名經(jīng)典電影，原著是愛德華·伯恩斯的小說《King's Ransom》。

簡(jiǎn)介：影片圍繞著濱江三院一起費(fèi)解的雙人墜樓案展開，資深媒體人葉攀（張小斐 飾）始終秉持追尋真相的原則，她在調(diào)查中先后將護(hù)士李悅和母親尤茜報(bào)道為嫌疑人，卻因此引發(fā)輿情，事態(tài)逐漸失控。

簡(jiǎn)介：這是一部人和智能手機(jī)的故事。故事發(fā)生在一個(gè)夜晚、一臺(tái)車內(nèi)，是由一個(gè)演員支撐全片的獨(dú)角戲：離婚后的老吳為打發(fā)時(shí)間成了一名“網(wǎng)約車”司機(jī)，這天晚上意外在車上撿到一部智能手機(jī)，誰知在歸還手機(jī)的路上，這部手機(jī)又此起彼伏的響起，為了查清手機(jī)真正的主人，老吳幾乎不費(fèi)吹灰之力便利用手機(jī)的“智能”將手機(jī)主人變成了一個(gè)毫無隱私的透明人，同時(shí)在這個(gè)過程中他也終于醒悟了自己離婚的真相。

簡(jiǎn)介：作家兼教師艾瑞斯（娜奧米·沃茨飾）原本在紐約過著安穩(wěn)而獨(dú)居的生活，但當(dāng)她最親密的朋友兼導(dǎo)師（比爾·默瑞飾）突然去世，并將他心愛的150磅重的大丹犬留給她時(shí)，她的生活被徹底打亂了。這只高貴卻難以馴服的巨獸——阿波羅，不僅帶來了諸多現(xiàn)實(shí)問題，比如家具被毀、房東的驅(qū)逐通知，還引發(fā)了更深層的困擾：它龐大的身影不斷提醒艾瑞斯，她的朋友在生前和死后都做出過許多充滿問題的選擇。然而，隨著艾瑞斯與這只狗意外地建立起深厚的情感聯(lián)系，她也逐漸學(xué)會(huì)直面自己的過去，接受失去朋友的事實(shí)，并重新發(fā)現(xiàn)自己內(nèi)在的創(chuàng)造力。

簡(jiǎn)介：Lesbian couple Sun-woo and Hee-suh buy a small apartment, which they’ve put everything for. But when Sun-woo loses her job and injures her leg, their relationship begins to sour while Hee-suh is sorely responsible for paying the mortgage and interest. Their stress level reaches a fever pitch when a foul odor starts to emanate from downstairs.

簡(jiǎn)介：Helen's mundane life at the chicken factory takes an unexpected turn with Joanne's return. They were each other's secret teenage passion. As they fall in love, Helen's zest for life returns but Joanne faces something darker from her past.                                                                    　　Pugh’s musical drama takes off in a chicken factory in industrial north Wales, set to songs from the 1960s and 70s. The debut feature follows a woman stuck in a rut, played by Louise Brealey. Annabel Scholey, Sorcha Cusack, Celyn Jones and Emily Fairn also star. Anne Beresford and Andrew Gillman are producing through Artemisia Films, alongside Adam Partridge of Delta Pictures and Peggy Cafferty of Play House Studios. It is funded by the BFI and Ffilm Cymru Wales, both awarding National Lottery funding, and BBC Film.